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I haven't done much sculpting with polymer clay. Partly because I hate how soft it is. I am very glad to hear that there is a new clay coming out soon with much better working qualities. These are two resent pieces I made in 1: 12 scale. The goose is flocked with pure silk embroidery floss I cut into dust. The feathers are white turkey. The rabbits coat is Alpaca.
Hi, My name is Alberto and I am the founder of Silverissimo, a family business run by few people. It all started as a hobby once I was sacked after 8 years because my manager discovered I was going to adopt another child with my partner, ergo, being entitled of a 12 months adoption leave. As disappointed as I was I started this project and...well, here we are! (just in case, if you want to have a look at it, it is about solid silver miniatures www.silverissimo.co.uk ). I think this forum can help me to understand terminologies (I am not a native English speaker) about this "magic" world
Natalia Frank posted a topic in TextilesDollhouse miniature petit point carpet Tree of Life 1 is my first carpet I stitched this year. It took me 11 weeks and 1 day to finish stitching it, spending from 8 to 12 hours daily. 7 days went for blocking, stretching, finishing the sides and fringing. It has total of 180,600 tiny stitches and 468 ends form the fringes on both sides of the rug. An idea to stitch a series of carpets under the Tree of Life theme came up to me last year, when at some point I caught myself thinking that I was tied and bored to stitch the repeatable motifs of the rugs. I wanted to create something d
Just curious as to what you all find to be your ideal polymer clay (or blend) for various applications. I'm trying out a few new combinations (for figure sculpting) and I'm curious as to what to avoid in terms of common errors as well as "Aha" moments. Thanks! Mike Barbour